News from IASA
(Nov 07, 2014)
The 47th annual Italian American Studies Association conference, Italians Without Borders: Transnational Italian (American) Experience, opened on October 17th, 2014, at the University of Toronto's sta
(Jul 30, 2014)
Click below to download the program for the 2014 IASA Conference, in Toronto, Canada, from October 17th to October 19th. To register for the conference, please click here.
(Feb 24, 2014)
IASA fully supports the 1940 Statement of Principles on Academic Freedom and Tenure. Please click the link below, to read the full statement.
From the Blog
(Sep 08, 2014)
IAWA kicks of the month with its acclaimed eveniong of readings and opoen mic at the Cornelia Street Cafe in Manhattan.
(Sep 08, 2014)
The first session of the 2014-2015 Boston Immigration and Urban History Seminar will take place on September 23, when Natalia Molina of the University of California—San Diego will present on the
(Sep 01, 2014)
The self-taught artist Ralph Fasanella (1914-97), born in the Bronx to Italian immigrants, believed that painting could be a form of labor advocacy.
Publications from IASA
Rudolph. J. Vecoli, ed. Volume 5. 1972. Italian American Radicalism: Old World and New World Developments. Rudolph. J. Vecoli, ed. 1972. 80 pp. The North End of Boston.
Francis X. Femminella, ed 4. 1971. Power and Class: The Italian American Experience Today. Francis X. Femminella, ed. 1973. 58 pp. Kosciuszko Foundation, New York.
Luciano J. Iorizzo, ed 3. 1970. An Inquiry Into Organized Crime. Luciano J. Iorizzo, ed. 1970. 87 pp. Casa Italiana, Columbia University, New York.
Publications from IASA Members
Summary A cogent and multi-generational recounting of the lives of major personalities and institutions that shaped the Italian American experience in Rochester, with attention to: World War II, en
Pioneering Italian American Culture - Escaping La Vita della Cucina: Essays, Interviews, Reviews by and About Daniela Gioseffi, with an Introduction by Angelina Oberdan Daniela Gioseffi, American
Purdue University Press, 2000. This anthology is designed to appeal to both popular and scholarly audiences.

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