News from IASA
(Feb 21, 2014)
Dear Friend of IASA,
(Jan 15, 2014)
Call for Presentations and Panels Italians Without Borders: Transnational Italian (American) Experience The University of Toronto October 17-19th, 2014 DEADLINE FOR PROPOSALS: MAY 1ST, 2014
(Dec 23, 2013)
IASA is pleased to announce the results of its 2013 Executive Council election. Congratulations to Dr. Chiara Mazzuchelli, Dr. John Paul Russo and Dr.
From the Blog
(Feb 23, 2012)
The margins of a country are real places - the poor peripheral areas of cities, overseas colonies, 'backward' rural areas, Romani camps, fast-track removal centres and many others - but at the
(Feb 23, 2012)
To celebrate the centenary of Michelangelo Antonioni's birth, the Italian Cultural Institute has organized an exhibition on the great Italian movie director, screenwriter, editor, writer and paint
(Feb 23, 2012)
The Istituto Italiano di Cultura/San Francisco presents a selection of five films that explore main changes and issues in Italian society.
Publications from IASA
Pat Gallo, ed. Volume 8. 1975. The Urban Experience of Italian-Americans. Pat Gallo, ed. 1977. 177 pp. Queens College, Flushing, New York. November 14-15, 1975.
Jean A. Scarpaci, ed. Volume 7. 1974. The Interaction of Italians and Jews in America. Jean A. Scarpaci, ed. 1975. 117 pp. Towson State College, Baltimore, Maryland.
Silvano M. Tomasi, ed. Volume 6. 1973. The Religious Experience of Italian Americans. Silvano M. Tomasi, ed. 1975. 133 pp. Seton Hall University, South Orange, New Jersey.
Publications from IASA Members
Summary A cogent and multi-generational recounting of the lives of major personalities and institutions that shaped the Italian American experience in Rochester, with attention to: World War II, en
Pioneering Italian American Culture - Escaping La Vita della Cucina: Essays, Interviews, Reviews by and About Daniela Gioseffi, with an Introduction by Angelina Oberdan Daniela Gioseffi, American
Purdue University Press, 2000. This anthology is designed to appeal to both popular and scholarly audiences.

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